GO FISH MOVIE MOVIE

In their effort to utilize local resources, the filmmakers used equipment from the School of the Arts Institute of Chicago, Northwestern University, and the University of Illinois. Shown at Deauville Film Festival September 2-11, 1994.įeature directorial debut for filmmaker Rose Troche. Shown at San Francisco International Lesbian & Gay Film Festival (opening night) June 9-19, 1994.

Shown at Cannes Film Festival (market) May 12-23, 1994. Shown at New York Lesbian & Gay Film Festival (opening night) May 12-22, 1994. The film is honest, forthright and affectionate, and it portrays the everyday worlds of these ordinary gay women with what I sense is accuracy.īut for their next film I think it might be interesting if they began with a story that was a little more about something.Shown at London Lesbian & Gay Film Festival March 19-31, 1994. Troche and her collaborators have the right note here. But not a whole lot happens, and there are times when a scene continues simply to show the unplanned passage of time. It records everyday life in an everyday way, and introduces us to some people we are happy to know. The movie's strength is also a weakness: its matter-of-factness. The women in 'Go Fish' may be defined by their sexuality, at least in terms of this movie, but they are not driven by it.

GO FISH MOVIE MOVIE

But even here there's a sweetness, a lack of the raunchiness you'd expect if the movie had been about men. There's some sex talk in the film, including an amusing conversation about various words for various parts of the body and various things that can be done to or with them. Their purpose is more to memorialize friendship. There's a documentary sense to it: We feel the characters are drawn from life, and that the filmmakers are uninterested in plotting except in the mildest way. It is casual, unsensational, meandering, talky, and possesses a certain warm charm. 'Go Fish,' a black-and-white film directed by Rose Troche and produced and written by Troche and Turner, is like one of those underground movies of the 1960s in which the purpose was to show a small group of friends celebrating a lifestyle which the audience could, or should, emulate. And eventually Max and Ely find that they like each other, and that's the big development in the movie. Kia, who knows all about the former lover, gives Max reason for hope: She's convinced the affair is basically over, and she's right. They're talking, and then there's a pause, and they suddenly sort of agree to kiss, as if to get that over with, so their relationship can move on to another plane.Įly already has a lover, she confesses, but her lover has moved to another city. Their first kiss is one of the nicest moments in the movie, because it has the awkward spontaneity of real life, instead of the choreographed certainty of the movies. Max is at first not turned on by Ely, but eventually, after a good deal of shy conversational sparring, they go out on a date and even share a kiss. Brodie), someone she has known casually for a long time. Wendy McMillan), subtly steers her in the direction of Ely (V.S. The movie's heroine, Max ( Guinevere Turner), has been more or less celibate for ages, she complains.

Go fish movie